A Coveted Possession: The Rise and Fall of the Piano in Australia by Michael Atherton (La Trobe University Press) “His thumbnail sketches of our major pianists, from Percy Grainger, Eileen Joyce and Geoffrey Tozer to Roger Woodward and Lisa Moore, are tantalizing in their succinctness and suggest further volumes exploring the extraordinary range of the […]
Murray Black writes: “Lisa Moore’s impressive five-part set – the highlight was her compelling performance of Frederic Rzewski’s De Profundis in which Moore sobbed, sighed and spoke from Oscar Wilde’s text while playing the difficult piano part” (Aug 28, 2018)
Limelight Magazine writes for Recitals Australia, Elder Hall, Adelaide: “Two pianists, one spirit, one superbly delivered set of Goldberg Variations….” (June 17, 2018)
http://citynews.com.au/2018/review-the-tough-crowd-holds-its-breath/
Lisa Moore brings empathy and grace to Janaček’s solo piano works
Sat Apr 28, 2018 at 11:57 am
By George Grella
Before she sat down at Bargemusic Friday night to play all of Leos Janaček’s solo piano compositions, Lisa Moore told the audience that the composer “wasn’t romantic, he wasn’t modern, he was just Janaček.”
Maybe that’s […]
Aside from her recent Fall 2017 new Bandcamp recording releases of solo piano music by John Adams, Brett Dean, Michael Gordon and Hannah Lash, Lisa Moore has a new album of really beautiful music by the Columbian composer Julián de la Chica coming out this spring 2018 on IGM: Irreverence Group Music
Check out Lisa’s Bandcamp page: […]
New solo piano recordings – music by John Adams, Hannah Lash and Michael Gordon here
The Knoxville Mercury writes: “Lisa Moore’s exquisite solo piano performance at St. John’s Episcopal Cathedral was a new dimension for Big Ears…the setting, in the sanctuary of the 125-year-old downtown church, lent a sacred mood to the hour-long concert. Big Ears often feels loosely spiritual, but hearing Mad Rush, Metamorphosis, Etude No. 2, and excerpts from Glassworks and Satyagraha
